![]() If they absolutely love it and aren’t willing to change, it might be useful to record a short multitrack session and play it back through the house system, inviting the artist to hear it from your position and explain what you like and don’t like.Īlways state your goal clearly. So before jumping on stage and immediately ordering people to change their settings, make sure to listen to the source then talk to the artist about the difference between what they’re hearing and what you’re hearing.Īlso make sure to inquire about what they think about their sound. Especially if a source is being picked up by a microphone, the difference can be quite dramatic. ![]() The sound heard through the PA system and the sound that the artist hears on stage are quite often two very different beasts. Here are some tips to help accomplish just that… Communication Is Key If you can influence sound sources in ways that sit better in a mix, and also support the entire sonic image without touching the processing part of the console, it can be a great way to go in minimizing work that needs to be down the line. Limitations on time and resources prevent going into great detail with the band about the gear, stage setup, and positioning – as a mix engineer, the task is simply to embellish what you’re given.īut for situations where you’re asked to create a sound design during pre-production stages for a band you work with regularly, that approach might not be the only option. I still work this way all of the time when mixing several bands and at festivals. The traditional methodology of live audio, still very much present at smaller shows and when working with unknown artists, is to set up the stage and then through mic placement and processing, deliver the best result possible given the situation. Most of the live engineers that I know are also either accomplished studio engineers or at least have project studios that allow them to prepare for live shows, including dialing in plugins and/or processing for later use.Īlthough it’s not my express intent here to compare the two worlds, I’d like to point out that the live mixing process has shifted in recent years to include one vital aspect that was always a priority for studio work – capturing quality sound right at the source. This case was taken seriously from the outset, with a thorough investigation conducted by our sex crimes unit.įrom the outset of the pandemic, here in Charlotte, our company has been the leader in all things Covid testing, Covid vaccines, and antibody therapy, and the reason we've done that is to is to alleviate a lot of the pressure on the major healthcare systems where they're having to take care of people in ICU, and all the surgeries that are lined up and all that stuff.With the introduction of digital consoles, better microphone options, PA systems with higher fidelity and more pre-production time, the gap between the worlds of studio and live sound has been steadily diminishing. This was a fake, false investigation from the outset. The supply of European Union labor was turned off with no clear roadmap as to how this transition would be managed without disruption to services and supply chains, a managed transition, with a plan agreed between government and business, should have been in place from the outset.Ĭlients are missing a trick with wood, what you need to do if you want an economic wood solution is to think about all the aspects from outset.
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